Ph.D Thesis

‘Collecting and Identity in Manchester and Philadelphia, c.1870-1914’ The Courtauld Institute of Art, supervised by Prof David Peters Corbett (2024)

Journal Articles

‘Cuba to Castlefield: Religion, Empire, and Philanthropy in the John Rylands Library’, Journal of Victorian Culture, 31:3 (July 2026), pp. 175-94

Digital Projects

‘The John Bedford Library - Trade Card Collection’, StoryMap Digital Resource, University of Leeds (27 April 2026)

Review Essays

‘Whistler and the Modernity of Victorian Art’, Art History, 49:4 (September 2026), pp. 836-40

Blog Posts

‘Paper Trails: Mapping the Bedford Trade Card Collection’, University of Leeds Libraries (13 May 2026)

‘How Etching and Drawing Shaped Whistler’s Vision’, ArtUK (8 December 2025)

‘Edward Burne-Jones: Flesh and Fantasy in Victorian Art’, ArtUK (16 September 2025)

Conference Presentations

‘Paper Trails: Mapping the Bedford Trade Card Collection’, Regional Collections Histories on Display, Exhibition Research Lab - Liverpool John Moores University (September 2026)

‘William H. Dorsey’s Philadelphia Collection: Archive, Activism, Art’, Association for Art History Annual Conference, University of Bristol (2024)

‘Making Meaning in Dante Gabriel Rossetti’s The Blessed Damozel at the Manchester Art Museum’, Rossettis: In Relation, Tate Britain/Paul Mellon Centre/University of York (2023)

‘ “Not of the Ordinary Type”: Thomas Horsfall and the Manchester Art Museum’, Radical Victorians: Race, Labor, Identity, The Frick Pittsburgh/Carnegie Mellon University/Yale University (2022)

Lectures, Talks, and Workshops

‘The Role of Digital Methods in Art Historical Research’, Lunchtime Talks, Exhibition Research Lab, Liverpool John Moores University (2026)

Anatomy of an Art World: The American Scene, c.1850-1950, co-organised series, The Courtauld (2025)

‘Monet: London, Paris, and Beyond’, The Courtauld (2024)

Digital Approaches to Histories of Nineteenth-Century American Art, organised workshop, The Courtauld (Terra Centre for American Art) (2022)

‘Winslow Homer: An American in Paris’, National Gallery (2022)